As I continue developing new characters and stories, I am increasingly drawn to the path of becoming an independent animation director and creator. I have noticed that my work carries a strong sense of subjective expression: I want to communicate deeply personal emotions, and I naturally gravitate towards a character design style that is highly individual, even if it is not mainstream. This desire to express an authentic personal voice makes the independent animation field particularly suitable for me.

Another factor shaping my interest in independent practice is my curiosity about multiple art forms. Beyond animation, I also engage with photography, printmaking, ceramics, illustration, and mixed-media art. These disciplines continuously influence and inspire each other in my creative process. The flexibility of independent filmmaking allows me to integrate these practices more freely, experimenting with cross-media storytelling and expanding the visual language of my work.

During a recent studio visit, I had the chance to speak with an animator working in a professional animation studio. I asked her whether independent creators—those who want to develop personal works and even turn them into exhibitions or installations—can find opportunities and support within the industry. She shared that some animators have collaborated with institutions like the Tate Modern to develop exhibition projects. Her advice was simple yet encouraging: if you keep creating the work you truly believe in, and consistently build your portfolio, opportunities will naturally emerge. This conversation reassured me that a personal artistic voice does have a space in the professional world.

I am also interested in building my own personal IP. Alongside my coursework, I am already creating small pieces of merchandise and visual materials that extend from my character designs. This process helps me think about how my animation concepts can develop into broader creative ecosystems—such as prints, small sculptures, or artist books. Independent animators often sustain their practice by constructing such multi-layered creative identities, which further motivates me to pursue this direction.

Reflecting on my research and experience, I believe the role of the independent animation director suits me well. It aligns with my desire for strong personal expression, my interest in cross-disciplinary artmaking, and my long-term goal of building my own artistic universe. While the independent path may be less predictable, it offers the creative freedom I value the most.